Nobody? Nobody Does It Better!……“第一幕中藏在冰箱里的枪到第三幕一定要响”契科夫的叙事原理被来自一位俄罗斯的导演黑色幽默地还原成纯字面的意思且疑似迷影到了英雄本色的血洗枫林阁吴宇森电影的藏枪用不着等到第三幕甚至都无需转场就可以响却非叙事缺陷实乃风格差异使然急就速成对位着东方的高调华丽伏笔回响服务于西方的趋实心理不过由于本片收官高潮大戏急剧向东方热血豪情靠拢再现英雄本色喋血双雄的影子藏枪回响被淹没在一浪浪暴力美学之中其戏剧功效其实并没有彰显出来影片真正有趣的桥段反而是开场公车搏斗拉绳锁脖“需要停停止”、总是故事没讲完对方就先“睡着”了以及养老院老头竟然比他那个造型像老白也的确演过毒师的儿子更狠
The ending is bizarre. Good that despite all the other plot points like the cheating husband, the throughline is on how Martha deals with grief. It's not the stages of grief, but the struggle between allowing yourself to feel and living with social expectations. The courtroom speech is genuine but also not completely necessary, just good for drama.